I wanted Swans to be “heavier” though – I wanted the music to obliterate - why

Ringo Starr

Timeless in execution and presentation It’s Hard For Me To Say I’m Sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today

Prekop creates a singular sound that is both inventive and warm

This is probably why it was important for me to only use analog equipment for this record

LogarDecay - FRGL (CS) D'Angelo I wanted Swans to beLeslie Garca and Paloma Lpez (Mexico City) have been working for several years around the intersection of music, art installation and science, with sound being the primary objective of their analysis, acting their roles as composers creators and observers of the physical phenomenon. Their work ranges from experiments with bioelectrical sounds created by living organisms like bacteria and plants, to the use of custom made sets of hardware they call