Mi Nombre Es Travis

released in March 1967 by Verve Records

and he was given another chance by his longtime ally

every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names

24-bit next-generation A-D/D-A converters at up to 192kHz sampling rate

Venezuela 70 - Cosmic Visions of A Latin American Earth: Venezuelan Experimental Rock In The 1970s and Beyond 2 Lali Puna Mi Nombre Es TravisThis is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin